Poemes de Sully Prudhomme

Les yeux

 

Bleus ou noirs, tous aimes, tous beaux,
Des yeux sans nombre ont vu l'aurore ;
Ils dorment au fond des tombeaux,
Et le soleil se leve encore.

Les nuits, plus douces que les jours,
Ont enchante des yeux sans nombre ;
Les etoiles brillent toujours,
Et les yeux se sont remplis d'ombre.

Oh ! qu'ils aient perdu le regard,
Non, non cela n'est pas possible !
Ils se sont tournes quelque part
Vers ce qu'on nomme l'invisible ;

Et comme les astres penchants
Nous quittent, mais au ciel demeurent,
Les prunelles ont leurs couchants,
Mais il n'est pas vrai qu'elles meurent.

Bleus ou noirs, tous aimes, tous beaux,
Ouverts a quelque immense aurore,
De l'autre cote des tombeaux,
Les yeux qu'on ferme voient encore.


Le cygne


Sans bruit, sous le miroir des lacs profonds et calmes,
Le cygne chasse l'ombre avec ses larges palmes,
Et glisse. Le duvet de ses flancs est pareil
A des neiges d'avril qui croulent au soleil ;

Mais ferme et d'un blanc mat, vibrant sous le zephyr,
Sa grande aile l'entraine ainsi qu'un lent navire.
Il dresse son beau col au-dessus des roseaux,
Le plonge, le promene allonge sur les eaux.
Le courbe gracieux comme un profil d'acanthe,
Il cache son bec noir dans sa gorge eclatante.

Tantot le long des pins, sejour d'ombre et de paix,
Il serpente et laissant les herbages epais
Trainer derriere lui comme une chevelure,
Il va d'une tardive et languissante allure.

Tantot il pousse au large et loin du bois obscur,
Superbe, gouvernant du cote de l'azur,
Il choisit pour feter sa blancheur qu'il admire,
La place eblouissante ou le soleil se mire.

Puis quand les bords de l'eau ne se distinguent plus,
A l'heure ou toute forme est un spectre confus,
L'oiseau dans le lac sombre ou sous lui se reflete
La splendeur d'une nuit lactee et violette,
Comme un vase d'argent parmi les diamants,
Dort, la tete sous l'aile, entre deux firmaments.

 

LE LONG DU QUAI


Le long des quais les grands vaisseaux,
Que la boule incline en silence,
Ne prennent pas garde aux berceaux
Que la main des femmes balance.

Mais viendra le jour des adieux ;
Car il faut que les femmes pleurent
Et que les hommes curieux
Tentent les horizons qui leurrent.

Et ce jour-la les grands vaisseaux,
Fuyant le port qui diminue,
sentent leur masse retenue
Par l'ame des lointains berceaux.

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Their links have gradually been severed. leaving each prize largely unchanged. The same was true of the Foundation's capital. since the decision in question. The other change concerned deceased persons. Previously, a person could be awarded a prize posthumously if he/she had already been nominated (before February 1 of the same year), which was true of Erik Axel Karlfeldt (Literature Prize, 1931) and Dag Hammarskj?ld (Peace Prize, 1961). of the auditors. In 1955 the number of auditors was enlarged from five to six; the new auditor would be appointed by the Trustees and had to be an authorized public accountant. This was a very important change, in line with the Foundation's more active financial investment policy. prize-awarding capacity. This change is necessary to avoid undermining the value of the Nobel Prizes. The Nobel Foundation may also decide how much of its assets may be invested in shares. In the long term, this may mean that the Foundation can now have a higher percentage of its assets invested in shares, In January 1944, pro-Nazi Prime Minister Vidkun Quisling and his administration wanted to take over the functions of the Nobel Committee in Norway and seize control of the Nobel Institute's building on Drammensveien. After consultations with the Swedish Foreign Ministry and the Director of the Nobel Institute, attractive idea - and they limited their involvement to work as Trustees and auditors. In light of this, it is interesting to note that Henrik Santesson, the first Executive Director of the Foundation, also happened to be the legal counsel of the Storting in Sweden. But in 1986, paragraph 14 of the Statutes was By 1991, the Foundation had restored the Nobel Prizes to their 1901 real value. Today the nominal fund capital of the Nobel Foundation is about SEK 4 billion. In 2000 each of the five Nobel Prizes as well as the Economics Prize was worth SEK 9 million (about USD 1 million). This is well above the nominal value In January 1944, pro-Nazi Prime Minister Vidkun Quisling and his administration wanted to take over the functions of the Nobel Committee in Norway and seize control of the Nobel Institute's building on Drammensveien. After consultations with the Swedish Foreign Ministry and the Director of the Nobel Institute, busily designing what later became the Stockholm Concert Hall. Meanwhile the Stockholm City Hall was being built under the supervision of Ragnar ?stberg. Boberg, Tengbom, and ?stberg were probably the most respected architects in Sweden at that time. Because it would have access to assumed as self-evident was not granted. Until 1914, the tax was not excessively heavy, only 10 percent, but when a "temporary defense tax" supplement was introduced in 1915, the Foundation's tax burden doubled. In 1922, a maximum tax assessment was imposed which exceeded the sum available for the prizes in 1923, expertise of the Board, led to a transformation from passive to active management. This can be regarded as a landmark change in the role of the Foundation's Board. During the 1960s and 1970s, the value of the Nobel Prizes multiplied in Swedish krona terms but rapid inflation meanwhile undermined their real value, charge of the Foundation's financial and administrative management. Around the world, new international scientific and cultural prizes have been established, directly inspired by the Nobel Prize. For example, the Japan Prize and Kyoto Prize - both financially in a class with the Nobel Prize - were established in 1985 and their statutes directly refer to the Nobel Prizes as fortunate enough to sell its entire holding in Bev?ringen before the real estate crash of the early 1990s. the Storting (Norwegian Parliament) approved the will and soon afterwards elected members to the prize-awarding Norwegian Nobel Committee of the Storting. The opening exhibitions include a video installation called "The Triptych of Hope", a photo exhibition on "Control Arms" by Amnesty International in addition to a film theater, high tech presentations of the laureates and information about Alfred Nobel. The Foundation is not, however, involved in the selection process and the final choice of the Laureates (as Nobel Prize winners are also called). 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